Humphrey Carpenter's 1977 authorized biography, Tolkien, has been a fascinating read. His emphasis on the reflection of the man's life within his written work is probably spot-on: it is, after all, family approved. What comes distinctly through in his evaluation of the great man's life is his devotion to Roman Catholicism. But to say that he was a bit of a catholic is to say the sun is simply a bit of a source of heat; Tolkien's identity was fiercely catholic, his life was moulded in reaction to popular English sentiments against it, he saw his writings as an embodiment of true catholic identity and integrity.
John Ronald Reuel Tolkien's early years in South Africa were abruptly curtailed by his father's sudden death. His mother sought solace with her family back in Birmingham. Later, together with her sister, she found a spiritual satisfaction in Roman Catholicism switching allegiance from the family's traditional Baptist, Methodist, and Unitarian traditions. The family's reaction was unfortunately bigoted and they set about disinheriting her. This fact alone must have created such bitterness in the loyal and loving Tolkien boys and they faithfully remained forever within the adopted tradition. When John met and fell in love with his future wife Edith, their future plans had to begin with her catholic conversion and a full catholic wedding.
Tolkien, however, adopted more than just a method of worship, an understanding of creed and a taking of catechism. He adopted a world view that recognised the universality of Catholicism (with a big 'C') that had its' unalterable and unquestionable foundations in truth. This view did not accept any variation of catholic identity, such as those found within Anglican or Lutheran assumptions (which he considered plainly erroneous and irritating) and his personal relationship with C.S. Lewis was often tempered by the latter's rejection of Tolkien's reasoning and denomination (he was a Protestant Ulsterman, for God's sake!). In short, Tolkien intellectualised his catholic faith, it coloured his mind, tempered his relationships and filled his written works.
But before you whip out a pencil to begin underlining passages of The Hobbit and Lord of the Rings that you reconsider reveal Popish propaganda, you'll have to understand that Tolkien never really wrote about his catholic faith, directly or by allegory. Indeed, he didn't like allegory. When his publisher Stanley Unwin suggested an allegory between the Lord of the Rings with the German Nibelungenlied, he wrote, 'Both rings were round, and there the resemblance ceased... Do not let Raynor [Unwin] suspect "Allegory". There is a "moral", I suppose, in any tale worth telling. But that is not the same thing. Even the struggle between darkness and light... is for me just a particular phase of history, one example of its pattern, perhaps, but not The Pattern; and the actors are individuals -they each, of course, contain universals, or they would not live at all, but they never represent them as such.' This, of course, emerged from a deeply romantic view steeped in a love of pre-Shakespearean literature and in so much Anglo-Saxon and High German subject matter -his professional wordsmithing life.
Let's face it, Tolkien was a bit of an old fuddy-duddy. He lived a very conservative (one could argue 'reactionary') lifestyle in suburban houses with no TV, marking schoolboys essays for cash during the family holidays at seaside resorts, mowing the lawn, cycling to mass in the morning and sinking into a mass of disorganised paperwork in his office at home. Literary success didn't change him -he continued to undertake many of these mundane activities and on regular shopping trips and at lunch would count the pennies. His inner thoughts were, however, as high and developed as any could be -his philological mind was, quite simply, astounding.
As a writer, John Tolkien took his time. A perfectionist, he had to draft, review, reorganise and re-write nearly every word he wrote, to the point where his colleagues and publishers were clearly infuriated. He was fastidious about detail, seeing the life of characters not only in their nuanced and natural dialogues or through accurate narrations and descriptions, but in the undeniable truth of the existence in their world, even down to the accuracy of the maps and history of place names. In this he was a universalist -a catholic. He appreciated detailed enquiries from fans and saw in them a justification for his care. It can also be inferred that although there is never a direct referrence to religion per se, his writings are permeated with it; the old world and the new, the champions and villains, those with integrity and those in perfidy, the powers and counter-powers -even in the elves, dragons and wizards. One could argue that The Lord of the Rings is one of the most moral of all moral tales.
This biography is the worthy description of a quiet life, but also of a extraordinary mind. Even though it is plain that Tolkien must have been a difficult man, one cannot help extending much respect, if not a little love, towards him.
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