Again, and again, the notes rose and fell in the right, but they remained stubbornly arrhythmic, or more precisely, stuck together in clumps of ugly misshapen threes. The left hand maintained the simple tapping of the root of whatever was going on in the right, but no matter what she did the regular right-hand certainties of Bach evaded her, like a precise architectural sketch smudged by a continuous downpour, except downpours usually stop after a little persistence; hers was more of a eternal drizzle.
The exercises her teacher had directed, Czerny mostly, were intolerably dull. Each day, the keyboard lid was pushed up and the hour's practice began with 15 minutes on the limbering scales, then a quick tour of the arpeggios and then a section of Czerny. She couldn't see the point of bloody Czerny – if you needed a particular way to move your fingers for a particular piece then surely you practiced that way and only that way. Why waste time drumming up combinations of 13542, 13452, 13254 and so on? She once told her teacher how much she hated doing these things. He had listened, apparently thinking, and then told her to get on with them anyway.
Bach's mathematical constructions weren't too bad, but her real love was Beethoven. There was something robust about Beethoven, particularly his strong themes and exact repetitions. The romantic allure allowed, if not downright encouraged, a delicious laxity in timing when played. If you slowed because it was a bit difficult – well, who was to know that it wasn't just part of the piece, your artistic interpretation? She drew out the Sonata No. 8 in C Minor, particularly the lilting Adagio cantabile movement, for as many weeks as possible and almost cried when, having forgotten herself and played it beautifully to him one afternoon, he simply placed a large tick in the top corner of the page to signify 'done'. Playing Beethoven she was the gifted daughter in a Jane Austin drawing room wowing the bitchy, spiteful ladies and curious, attractive gentlemen arrayed before here on rows of low chairs. After all, Jane Austin heroines didn't play Bach, did they?
In desperation she'd even flicked through the introduction to her book of Bach's 48 Preludes:
"One thing, however, is quite certain; viz. that before anything "pianistic" is attempted by way of free translation, the student should have thoroughly mastered Bach's exact part-writing as written, and should be able to express its climaxes distinctly without adding or altering a note."
"Damn you!" she said out loud in response. "Damn you for making it difficult, so damn difficult." She attacked the right hand again and again, as before, but it was no good. After ten minutes she gave up, slammed the lid down and stormed off.
Sitting, arms crossed, she watched Coronation Street with her parents. Her mum glanced over. Something was obviously up (again): tickling her hair, she asked, but got the teen shrug.
On the phone, when they'd all gone out, she talked to Amelia, "So, I can't play it, I just can't."
"Why not tell him you can't. Tell him and see if he'll give you something easier."
She drew a big 'A' for Amelia on the pad next to the wall-mounted phone. "I can't. Besides, he'd only say I have to practice it more. He'll probably give me another page of Czerny to loosen up, or whatever he calls it." Next to the 'A' she embellished an angry 'C' for Czerny.
"Well, tell him you don't like Bach. Get him to give you something else to play."
"Mmm... yes, but actually, I quite like Bach, when it's done properly. I just wish it was something a bit easier." In the narrow space between the 'A' and the 'C' she inserted a 'B' for Bach.
Before ascending the stairs for bed, she glanced at the phone pad. 'ABC' glowered back at her. She was calmer after her bath, but her mood darkened when she remembered the earlier secretive phone call. Her dreams of running for departing buses left her exhausted by the morning and she was silent during breakfast. Her mother kissed the top of her head (again) and called her poppet (again). It breached her outer defences and made her smile.

That afternoon, she shuffled the music on the stand and opened the Bach Prelude Number 5 page next to her music teacher. "I..." she faltered, then remembering Amelia's words steadied herself, "I don't want to do this any more. This piece."
"Oh!" he abruptly replied, more of a question than a comeback. "Why?"
"It's just... I can't get it right. It's too difficult. Here–" She pointed to the faltering section. "Can't you give me something easier to do?"
"Simpler?" He inwardly considered the term in comparison to the exacting heights of 'difficult' he'd had to assault as a pianist and accompanist– assault and sometimes fail. "No, I don't think so. It's only difficult because you haven't got it right yet. I recommend Czerny – pages..." He thumbed through the well-thumbed book of finger exercises.
There – she was instantly defeated. She sat petulantly, going through the section of exercises; triples, quadruples, quintuples, and so on. They were nothing more than meaningless arpeggio phrases. Her mouth was downcast and she considered jumping up, telling him to go to hell and storming off. But then, way before he normally did and after only a handful of repetitions, he picked up the Czerny and closed it.
"Back to the Bach." he ordered.
She picked up the dog-eared edition and turned to the dog-chewed page upon which were scrawled his hideous pencil markings – circles here, fingering sequences there, dynamic emphasis all over the place. She sighed. He ignored. She started, but he said, "No, not from the beginning. From there–" he pointed to the difficult bit. She began from there and couldn't believe what happened. Her fingers glided over the section she was sure was the breaking of her. He stopped her and told her to play it again. She did and played it even better the second time. He made her repeat it ten times or more and each time it seemed to improve one way or another.
At the end of the half-hour he wrote in her lesson book and smiled a little, waiting for her to leave. At the door, she turned and smiled the briefest of satisfactory smiles back at him. It was better, much better, than even he had expected.
Recent Comments